The French Dispatch

Review by Kane Geary O’Keeffe The French Dispatch (Wes Anderson, 2021) acts as the auteur’s typically pastelled love letter to old school journalism and the gritty field work that conjured the amazing tales previously found on the printed page. Ironically, Anderson achieves this by creating an anthology of scenarios which exist in such a heightenedContinue reading “The French Dispatch”


Review by John Dugan The highly anticipated Dune (Denis Villevenue, 2021) follows the young Paul Atreides (Timotheé Chalamet) as his clan, House Atreides, inherits the planet of Arrakis. This desert planet contains an invaluable substance known as “Spice”, which allows for interstellar travel. On paper, as a sci-fi epic being set on a desert planetContinue reading “Dune”

The Last Duel

Review by Sadbh Boylan The Last Duel (Ridley Scott, 2021) sees writer-actor duo Matt Damon and Ben Affleck reunite almost twenty-five years after their first collaboration– Good Will Hunting (Gus van Sant, 1997)–  launched them to superstardom, this time joining forces with Nicole Holofcener to adapt Eric Jager’s 2004 historical page turner of the sameContinue reading “The Last Duel”

Deadly Cuts

Review by John Dugan When first watching the trailer for this film, I was worried that as an Irish film certain colloquialisms and phrases would be lost on me, an American viewer. I also think it’s important to acknowledge this, so that any readers can take that context into consideration. However, despite my unfamiliarity withContinue reading “Deadly Cuts”

Rose Plays Julie

Review by Róisín Ní Riain Rose Plays Julie, the latest outing from writer-director duo Christine Molloy and Joe Lawlor, aims to disconcert. It goes about this mission from every angle. We glide from plot point to plot point with almost torturous slowness. Individual faces, figures lost in sterile space, and, in one scene, animal visceraContinue reading “Rose Plays Julie”

The Green Knight

Review by Katie McKenna I once heard a rule for watching films called ‘Shut Up It’s a Tuesday’, which tells you to ignore plot inconsistencies.  A lot of the best films have them. If the story is engaging it doesn’t matter. No one ever hears Charles Foster Kane say “Rosebud”, but that’s ok. The filmContinue reading “The Green Knight”

The Many Saints of Newark

Review by James Mahon Fourteen years after the end of The Sopranos – arguably one of the best television shows of our time – comes a cinematic prequel, The Many Saints of Newark (Alan Taylor, 2021). The Sopranos as a series was defined by its piercing psychological examinations of its characters, its vivid mob lifeContinue reading “The Many Saints of Newark”


Review by Luke Bradley From minute one, thanks to an electrically-meta opening musical number (‘So May We Start?’) Annette (Leos Carax, 2021) has you hooked. Whether or not you’re along for the ride becomes clear quickly, but it’s nonetheless a testament to the film. Every sequence, every song is charged with a wildly unique blendContinue reading “Annette”


Review by James Mahon Embodying the chilling effects of Dario Argento’s horror subgenre ‘giallo’ thrillers and the voyeuristic sensibility of Michael Powell’s Peeping Tom (Michael Powell, 1960), Censor (Prano Bailey-Bond, 2021) is the feature length directorial debut of Prano Bailey-Bond. The film is a welcome addition to the cannon of inventive horror movies that not only depict gory violence but examineContinue reading “Censor”